Unit 2 Case Study III: Bread and Puppet Theater Apprenticeship

The Bread and Puppet brass band performs at an event in Plainfield, VT.

Peter Schumann (aged 79!) weighs in during a rehearsal for the weekly circus.

A rehearsal for one of this summer's "dirt floor theater" productions, "Shatterer of Worlds," which takes its name from Robert Oppenheimer's famous quote (quoting in turn from the Bhagavad Gita) regarding the atomic bomb.

The Bread and Puppet brass band performs at an event in Plainfield, VT.
I spent the second half of the summer (the entire month of August) as an apprentice with the famous Bread and Puppet Theater in Vermont. It was a very intense experience, from which I learned a lot in terms of puppetry and puppet-making techniques, as well as about what can be organized on a shoestring. I also learned (somewhat to my surprise, although not to my dismay) that despite its communal style, the theater is very much an autocracy, advancing the sole artistic vision of its founder, Peter Schumann (still going strong in Bread and Puppet's 50th season, at 79). With that in mind, I feel that personally a two-week internship there would have been adequate for me: I'm afraid I'm too old and stuck in my ways to become one of Bread and Puppet's army of puppeteers, myself. I did find the internship and the community very inspiring, and this re-exposure to puppetry and theater will directly influence my upcoming work. I hope to continue to be able to have learning and residency experiences like this one in many, if not all, summers to come; they greatly enrich my practice.